Wednesday, November 24, 2010

Thankful For...Regina Spektor

I'm not going to post a full review of Regina Spektor's newest release--Regina Spektor: Live in London, a CD and full blu-ray concert DVD--because there's no real point in gushing about her brilliance. I watched the full concert last night and was simply blown away by Spektor's talent. I'm watching it again right now. If you haven't given Spektor a chance for whatever reason--maybe you heard "Fidelity" on the radio and thought it was stupid, maybe you think she's too girly, maybe you just don't like her style of music or writing--you ought to go see her perform sometime. The New York-based Russian immigrant plays piano, keyboard and guitar. She sings a cappella. She writes all her own music and lyrics. And she's completely genuine, and even seems to be embarrassed by the attention she gets.


Just watch this performance of "Eet" before you make up your mind.



Robyn Goes Back To The Future

Body Talk Pt. 3 came out yesterday, fulfilling Robyn's newest perfect pop formulation. Pt. 1, released last spring, was a mixed bag of dance-pop (Dancing On My Own, Fembot), electro-hip-pop (None Of Dem), and avant garde or unexpected acoustic tracks (Don't Fucking Tell Me What To Do, Jag vet en delig rosa). The song Hang With Me takes up real estate on parts one and two of Body Talk--acoustic on the first and mixed perfectly on the second. Body Talk Pt. 2 overall is edgier, with explicit (but fun) tracks like Criminal Intent and U Should Know Better, featuring Snoop Dogg. Part two ends with the stunning ballad Indestructible--Acoustic Version. From that name, we knew to expect a dance mix on Body Talk Pt. 3. Robyn doesn't disappoint.


Just as she did with her two versions of Hang With Me, Robyn pulls off the rare trick of making both an acoustic and an electronic-mixed version of Indestructible sound like the original. The acoustic version is as close as Robyn gets to a power ballad; the part three version is power pop. On the whole, Body Talk Pt. 3--brief at five tracks--is the most cohesive third of the trilogy.

On yesterday's issue, every song is pure dance-pop--no balladry, no hardcore. In Indestructible, she opens the EP singing, "I'm going back through time at the speed of light." The sound is very retro--a sonic theme that continues through every song on the EP. When she revs up her Time Machine engine (the second song on the album), we're solidly in the 1980s. And if you weren't sure from what decade Robyn was pulling, she gives you a handy Back to the Future reference ("All I need is a time machine/All I want is a delorean"), which is the song's extended metaphor. Call Your Girlfriend, the third song, opens with a fairly contemporary sound, but we're in full ABBA mode by the chorus. You'll love it, even if you didn't know how much you missed Electric Light Orchestra. Get Myself Together and Stars 4-Ever would have been perfect in the mid-90s, and they're pretty perfect now (although probably the weakest two songs on this mini-album, in my opinion).

Considered as a whole, Body Talk--parts one, two, and three put together--make for an astonishingly polished, diverse, and failure-free album. Normally an album with 24 original songs has some serious misfires, but at its worst, the weakest songs in the bunch (In My Eyes, Love Kills) are better than serviceable. It's incredible that Robyn isn't better known in the U.S., but at least she's appreciated by critics and the people who know her music.

Here's a taste of Part 3, if you're one of the sad few who don't have the album yet. Let's go back in time...

Sunday, November 14, 2010

Fall Bounty: More Hot Chris Fawcett


























See more--or buy the clothes off his supple bottom--at Undergear.

Gorgeous Christopher Fawcett For The Holidays






Sometimes publicists and model managers ask me to post pictures promoting photographers, models, products. A note to all: Use Christopher Fawcett, and you won't even have to ask.

In the past, I have obsessed over Ian Somerhalder and Ryan Philippe. Here is my new obsession.

Model Christopher Fawcett is just...he's just stunningly beautiful. There's no other way to put it.

Thanks to Undergear for bringing us some beauty and joy this holiday season. Behold Mr. Fawcett in all his glory. (Well, not *all* his glory, but pretty close in some of these pictures!)